{"id":1560,"date":"2020-11-05T10:24:13","date_gmt":"2020-11-05T09:24:13","guid":{"rendered":"https:\/\/lifelonghearing.com\/?p=1560"},"modified":"2025-04-28T06:14:04","modified_gmt":"2025-04-28T06:14:04","slug":"walter-auer-solovy-flautista-z-viedenskeho-filharmonickeho-orchestra","status":"publish","type":"post","link":"https:\/\/lifelonghearing.com\/sk\/walter-auer-solovy-flautista-z-viedenskeho-filharmonickeho-orchestra\/","title":{"rendered":"Walter Auer \u2013 s\u00f3lov\u00fd flautista z Viedensk\u00e9ho filharmonick\u00e9ho orchestra"},"content":{"rendered":"

Vyr\u00e1stol v Korut\u00e1nsku, \u0161tudoval hru na flaute na Mozarteu v Salzburgu a nakoniec si podmanil svet flauty: to je kr\u00e1tka biografia Waltera Auera, s\u00f3lov\u00e9ho flautistu z Viedensk\u00e9ho filharmonick\u00e9ho orchestra. Virtu\u00f3zny hudobn\u00edk v rozhovore pre geh\u00f6rt.gelesen<\/em> hovor\u00ed o dokonalosti, rozume a zdr\u017eanlivosti.<\/strong><\/p>\n

 <\/p>\n

\"\"RTH (Read to Hear): U\u017e v mladosti ste sa rozhodli, \u017ee sa chcete sta\u0165 profesion\u00e1lnym flautistom. Uva\u017eovali ste aj o inom kari\u00e9rnom smerovan\u00ed? <\/em><\/p>\n

Walter Auer: Toto rozhodnutie pri\u0161lo, ke\u010f som mal 15 alebo 16 rokov, v \u010dase, ke\u010f som mal s hrou na flaute za sebou u\u017e nieko\u013eko \u00faspechov. \u017diadne in\u00e9 alternat\u00edvy ma nezauj\u00edmali a nikdy mi nenapadlo, \u017ee by som vysk\u00fa\u0161al nie\u010do in\u00e9. Ak u\u017e ako mal\u00fd chlapec viete, \u010do chcete robi\u0165, ni\u010d in\u00e9 v\u00e1s nezauj\u00edma. Ke\u010f som sa u\u010dil hra\u0165, absolvoval som ve\u013ea predstaven\u00ed, sk\u00fa\u0161ok, vyst\u00fapen\u00ed a koncertov a v \u0161kole som toho ve\u013ea vyme\u0161kal. Od mojich u\u010dite\u013eov si to vy\u017eadovalo podporu a pochopenie. Bol som priemern\u00fd \u017eiak, no u\u010ditelia vedeli o mojich profesion\u00e1lnych cie\u013eoch a mali pre to ve\u013ek\u00e9 porozumenie.<\/p>\n

RTH: Ak\u00e9 vlastnosti s\u00fa potrebn\u00e9 na dosiahnutie tak\u00e9ho \u00faspechu?<\/em><\/p>\n

Walter Auer: Vy\u017eaduje si to, samozrejme, ur\u010dit\u00fd hudobn\u00fd talent, a potom odhodlanie a ochotu investova\u0165 ka\u017ed\u00fd de\u0148 mno\u017estvo hod\u00edn na dosiahnutie v\u00e1\u0161ho cie\u013ea. To plat\u00ed nielen pre hudbu, ale aj v \u0161porte alebo in\u00fdch oblastiach.<\/p>\n

Ako s\u00f3lista mus\u00edm preukazova\u0165 siln\u00e9 schopnosti hudobne vies\u0165 ostatn\u00fdch \u010dlenov orchestra. Ako \u010dlen orchestra mus\u00edte ma\u0165 aj pevn\u00e9 nervy, aby ste dok\u00e1zali neust\u00e1le pod\u00e1va\u0165 prec\u00edzne v\u00fdkony na tej najvy\u0161\u0161ej \u00farovni.<\/p>\n

RTH: Ako zvl\u00e1date tak\u00fdto tlak? A \u010do chyby?<\/em><\/p>\n

Walter Auer: Vo Viedenskej filharm\u00f3nii a v orchestri Viedenskej \u0161t\u00e1tnej opery sme na p\u00f3diu takmer denne, a preto sme pod ve\u013ek\u00fdm tlakom. S d\u00e1vkou vyrovnanosti a rozvahy sa to v\u0161ak d\u00e1 zvl\u00e1dnu\u0165. Ak urob\u00edm chybu, po\u010duj\u00fa to v\u0161etci moji kolegovia, a ak je t\u00e1 chyba ve\u013ek\u00e1, mo\u017eno aj publikum. Nie je to v\u0161ak koniec sveta. Nie je to ve\u013emi pekn\u00e9, no veci mus\u00edm udr\u017eiava\u0165 v rovnov\u00e1he. Je to opera, nie oper\u00e1cia.<\/p>\n

Po\u010das m\u00f4jho sk\u00fa\u0161obn\u00e9ho roka vo Viedenskej \u0161t\u00e1tnej opere som chyby bral ve\u013emi \u0165a\u017eko. So sk\u00fasenos\u0165ami v\u0161ak pri\u0161la aj v\u00e4\u010d\u0161ia vyrovnanos\u0165 a ur\u010dit\u00e1 miera rozvahy.<\/p>\n

RTH: Ako ve\u013emi v\u00e1m z\u00e1le\u017e\u00ed na dokonalosti?<\/em><\/p>\n

Walter Auer: V kontexte hudby je ve\u013emi \u0165a\u017ek\u00e9 definova\u0165 dokonalos\u0165. Je dokonalos\u0165 to, \u017ee hudobn\u00edk nerob\u00ed \u017eiadne chyby a hr\u00e1 v\u0161etko presne tak, ako m\u00e1, technicky bezchybne? Nerobi\u0165 \u017eiadne chyby m\u00f4\u017ee by\u0165 neskuto\u010dn\u00e1 nuda. Slep\u00fd perfekcionizmus je chladn\u00fd. Dokonalos\u0165 bez in\u0161pir\u00e1cie \u010di predstavivosti je o ni\u010dom. Z\u00e1kladn\u00fdm predpokladom pre to, aby hudobn\u00edk v\u00f4bec dok\u00e1zal hra\u0165 v sl\u00e1vnom orchestri, je dokonalos\u0165 techniky, prstoklade a zvuku. Ak to prenesieme do \u0161portu, znamen\u00e1 to, \u017ee be\u017eec svetov\u00e9ho form\u00e1tu mus\u00ed zabehn\u00fa\u0165 100 metrov pod 10 sek\u00fand, a to nielen raz za tri mesiace, ale v\u017edy. \u010c\u00edm vy\u0161\u0161ia \u00farove\u0148, t\u00fdm lep\u0161ia reput\u00e1cia orchestra a kon\u0161tantnej\u0161\u00ed v\u00fdkon pri behu na 100 metrov.<\/p>\n

Publikum Viedenskej filharm\u00f3nie po celom svete o\u010dak\u00e1va vysok\u00fa kvalitu, ale aj jedine\u010dnos\u0165, neporovnate\u013enos\u0165 a neopakovate\u013enos\u0165. A tie najkraj\u0161ie a najdokonalej\u0161ie okamihy \u010dasto prich\u00e1dzaj\u00fa vtedy, ke\u010f ich nikto neo\u010dak\u00e1va.<\/p>\n

To, \u010do rob\u00edm dnes, existuje v danej podobe len raz. Zajtra to bude podobn\u00e9, no nikdy to nebude \u00faplne rovnak\u00e9. A to je to, \u010do ma na mojej pr\u00e1ci tak fascinuje!<\/p>\n

RTH: Ste v\u00e1\u0161niv\u00fd \u0161portovec. Ak\u00e9 obmedzenia sa na v\u00e1s ako na profesion\u00e1lneho hudobn\u00edka vz\u0165ahuj\u00fa z h\u013eadiska \u0161portu? <\/em><\/p>\n

Walter Auer: M\u00f4j zamestn\u00e1vate\u013e, Viedensk\u00e1 \u0161t\u00e1tna opera, nezahrnul do zmluvy \u017eiadne podmienky. V\u0161etko, \u010do rob\u00edm, rob\u00edm s rozumom. Ako amat\u00e9rsky \u0161portovec nepotrebujem po zjazdovke snowboardova\u0165 so v\u0161etk\u00fdmi ly\u017eiarmi a vystavova\u0165 sa rizik\u00e1m, ktor\u00e9 to prin\u00e1\u0161a, ale rad\u0161ej idem pomaly a v r\u00e1mci mojich mo\u017enost\u00ed. Ako trojn\u00e1sobn\u00fd otec m\u00e1m tie\u017e povinnosti vo\u010di mojej rodine.<\/p>\n

M\u00e1m pokojn\u00fa povahu a v\u017edy som sa sna\u017eil vyh\u00fdba\u0165 fyzick\u00fdm pot\u00fd\u010dkam, preto\u017ee poranen\u00e1 pera by mohla znamena\u0165 koniec mojej kari\u00e9ry.<\/p>\n

Moja rada znie: pou\u017e\u00edvajte mozog a sna\u017ete sa ovl\u00e1da\u0165 to, \u010do m\u00f4\u017eete ovl\u00e1da\u0165.<\/p>\n

RTH: Tak\u017ee kv\u00f4li svojej pr\u00e1ci nemus\u00edte obetova\u0165 ve\u013ea kon\u00ed\u010dkov?<\/em><\/p>\n

Walter Auer: Nie v tom zmysle. Moje obety s\u00fa trochu in\u00e9. Je zauj\u00edmav\u00e9, \u017ee mus\u00edm obetova\u0165 presne to, \u010do sme mali robi\u0165 po\u010das pand\u00e9mie koronav\u00edrusu. Prv\u00fdkr\u00e1t za moje p\u00f4sobenie vo filharm\u00f3nii som bola doma a mohol som pravidelne obedova\u0165 a ve\u010dera\u0165 s mojou rodinou. Za norm\u00e1lnych okolnost\u00ed ve\u010der pracujem, takmer nie je d\u0148a, kedy by som nehral. Ak pracujete vo Viedni alebo v nejakej inej koncertnej s\u00e1le hocikde inde na svete, ka\u017ed\u00fd rok sme na turn\u00e9 aj nieko\u013eko mesiacov v roku. To je pre m\u0148a ur\u010dit\u00fd druh obety, obetujem rodinn\u00fd \u017eivot, ako ho druh\u00ed poznaj\u00fa, a obetujem vo\u013en\u00e9 v\u00edkendy. N\u00e1\u0161 \u201enorm\u00e1l\u201c vyzer\u00e1 trochu inak.<\/p>\n

Chcem v\u0161ak zd\u00f4razni\u0165, \u017ee nem\u00e1m pocit, \u017ee v mojom \u017eivote toho ve\u013ea obetujem, pr\u00e1ve naopak. V\u010faka mojej pr\u00e1ci som videl ve\u013ea vec\u00ed, m\u00f4\u017eem ve\u013ea cestova\u0165 a stret\u00e1va\u0165 zauj\u00edmav\u00fdch \u013eud\u00ed. To je dar, o akom sa mi ani nesn\u00edvalo.<\/p>\n

RTH: Ako sa u\u010d\u00edte nov\u00e9 diela? Spoliehate sa na noty alebo sk\u00f4r na sluch?<\/em><\/p>\n

Walter Auer: Na orchestr\u00e1lne koncerty sa poctivo pripravujem doma. Najprv si pozorne pre\u0161tudujem partit\u00faru a potom si do istej miery viem predstavi\u0165 mel\u00f3diu. Samotn\u00e9 po\u010d\u00favanie sa za\u010d\u00edna flautovou \u010das\u0165ou a dojmom, ktor\u00fd z nej m\u00e1m. Vid\u00edm tie\u017e technick\u00e9 po\u017eiadavky a n\u00e1ro\u010dn\u00e9 veci. A\u017e potom si vypo\u010dujem ve\u013ea r\u00f4znych nahr\u00e1vok. Takto sa dok\u00e1\u017eem vyhn\u00fa\u0165 tomu, \u017ee budem hra\u0165 nie\u010do, \u010do som podvedome vn\u00edmal, no v not\u00e1ch to v\u00f4bec nie je. A presne po\u010dujem, ako nie\u010do nechcem hra\u0165.<\/p>\n

RTH: \u010co pre v\u00e1s znamen\u00e1 sluch?<\/p>\n

Walter Auer: Sluch je to najd\u00f4le\u017eitej\u0161ie, \u010do pri mojej pr\u00e1ci potrebujem. Je dokonca d\u00f4le\u017eitej\u0161\u00ed ako moje pery alebo prsty. Mus\u00edm by\u0165 schopn\u00fd presne zareagova\u0165 v desatine sekundy a po\u010du\u0165 v\u0161etko tak, ako m\u00e1m. O sluch sa star\u00e1m a niektor\u00e9 skladby dokonca hr\u00e1m s ochranou u\u0161\u00ed. Rob\u00ed to tak \u010doraz viac hudobn\u00edkov v orchestroch. U\u017e len pri my\u0161lienke, \u017ee by som kv\u00f4li strate sluchu nemohol robi\u0165 to, \u010do rob\u00edm, mi beh\u00e1 mr\u00e1z po chrbte.<\/p>\n

RTH: S\u00fa nejak\u00e9 diela, ktor\u00e9 nem\u00e1te radi?<\/em><\/p>\n

Walter Auer: Nie. Ani by mi nenapadlo poveda\u0165 \u201etoto dielo sa mi nep\u00e1\u010di\u201c. Te\u0161\u00edm sa na\u0148, aj ke\u010f je to p\u00e4\u0165desiata \u010carovn\u00e1 flauta alebo tridsiata Traviata. Okrem toho m\u00e1m najkraj\u0161ie pracovisko na svete. Sed\u00edm vo Viedenskej \u0161t\u00e1tnej opere pred 2 300 \u013eu\u010fmi, v n\u00e1dhernej opernej s\u00e1le, zdv\u00edha sa opona, na p\u00f3diu stoja skvel\u00ed spev\u00e1ci, je tam teplo a platia mi za hudbu. S\u00fa opery, ktor\u00e9 s\u00fa mi srdcu bli\u017e\u0161ie, maj\u00fa \u00fa\u017easn\u00e9 p\u00f3di\u00e1, no nech sa hr\u00e1 \u010doko\u013evek, te\u0161\u00edm sa z toho. Wagnerove opery trvaj\u00face p\u00e4\u0165 hod\u00edn znamenaj\u00fa dlh\u00fa zmenu, ale s\u00fa n\u00e1dhern\u00e9!<\/p>\n","protected":false},"excerpt":{"rendered":"

Kr\u00e1tka biografia Waltera Auera, s\u00f3lov\u00e9ho flautistu vo Viedenskej filharm\u00f3nii.<\/p>\n","protected":false},"author":5,"featured_media":32086,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[415],"tags":[],"class_list":["post-1560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zivot-sk"],"yoast_head":"\nWalter Auer \u2013 s\u00f3lov\u00fd flautista z Viedensk\u00e9ho filharmonick\u00e9ho orchestra - Slovak<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lifelonghearing.com\/sk\/walter-auer-solovy-flautista-z-viedenskeho-filharmonickeho-orchestra\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Walter Auer \u2013 s\u00f3lov\u00fd flautista z Viedensk\u00e9ho filharmonick\u00e9ho orchestra - 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